Generally, I do not get involved in the business of comparing the movies against the Book based on. The primary reason for that is that I will have to read fiction for the comparison. And I hate reading fiction! Nevertheless, here is an attempt. This is more of a fictionalized biography rather than a novel, hence the exception 🙂
The movie in the discussion is Raazi starring Alia Bhat. She is a nepo-kid with reasonably good acting skills amongst a truckload among quintessentially bad actors and movie makers. For a change, the movie is loaded with decent actors; songs are brilliant with excellent lyrics. Its quite old movie by now and you would have seen it already. The book is based on “Calling Sehmat”, authored by Harinder Sikka penned on fictionalized biographical narration based on what he gathered from actual Sehmat.
On an overall and surface level, the movie captures the essence and sequence of events described in the Book. However, there are a few fundamental differences, which could be deliberate or creative. I will leave you to decide:
- The movie does not capture the first chapter of the Book. The chapter is an essential part of the storyline, but the film chooses to leave behind. The book takes its own time, deservedly, to define Sehmat, her love interest, passion, etc. The movie does not care about any of that.
- The movie Sehmat is a weak girl who flinches with the pistol backfire, the book’ Sehmat is a cold-blooded determined soldier who is willing to kill, lie, kidnap, and blackmail for her nation which was at war. The Book’s Sehmat does things as her conscious directs her, while the movie’s Sehmat does it as obligations to her Indian handlers.
- The movie ultimately leaves put last few chapters, which most probably is to avoid hurting sentiments of a rowdy family lived terrorizing a village in rural Punjab. Also, they probably do not want to show Sehmat owes her newfound sanity to a hermit.
The Bach 